After lots of football and basketball during the NHRA off season, I was more than happy to be heading to Pomona to kick off the 2012 season. Lots of new drivers, teams, paint jobs and for me clients had me super stoked for the season to begin.
.With the NHRA down to its final two races, the stop at The Strip at Las Vegas Motor Speedway would be a pivotal race for those with 2011 championship aspirations. With the largest nitro fields of the year it was sure to be a can’t miss race!
.I have had a very busy summer filled with baseball and lots of various auto racing. It has all begun to get very redundant so I was super excited when I was hired by ESPN.com to cover UFC 117 in Oakland. The last time I shot UFC in Las Vegas it was super fun and I got lots of great photos so I was highly motivated to replicate my previous performance. Fight, fight, fight!!!
.
I have really been trying to make an effort to cover more NHRA this year so with nothing going on for the weekend I decided to make the trek up to Sonoma for the Fram Autolite Nationals at Infineon Raceway. I have been to this track several times to cover NASCAR but never for NHRA. I am very happy I went to the race because this is without a doubt one of my favorite tracks to shoot drag racing at.
.A few months back I had the privilege of shoot behind the scenes with NFL superstar Kurt Warner for an ESPN.com story. With ESPN writer Wayne Drehs in tow we got to work documenting Kurts life on and off the field.
.One of the most commonly asked about shots I’ve taken is without a doubt the Mike Mason remote shot I did at the 2006 Summer X Games in Los Angeles. With these past few weeks being free from shoots I figured I’d do a write up about this shoot with some behind the scenes stuff.
.Over a month ago I got a call from an editor at ESPN the Magazine inquiring if I was available to do a shoot of the Arizona Diamondbacks pitcher Brandon Webb who was off to a spectacular 8-0 start. I was very happy to get a shot at this gig since nearly all of my assignments for ESPN was for strictly action photography, this shoot would be my chance to show the editors that I can be more than a one trick pony!
The highlight of the shoot was without a doubt gonna be the unprecedented access that myself, ESPN baseball writer Buster Olney, a producer and a video cameraman would have as we documented Webbs daily routine at the field on his pitching day as well as his 4 non pitching days between starts.
.